Melbourne Instruments Roto-Control

So I’ve worked with Ableton for over 8 years now, and I’ve had this controller for a week.

Resolution:
The pots are great, and you can make very fine adjustments in the 0.01 dB range (in my case, for FabFilter plugins via the USB connection).

Assignment:
The assignment is great and, so far, works very nicely. I like how they designed the assignment process and how (most) values appear directly on the controller’s screen—and if they aren’t represented the way you want, you can change them manually. All in all, it’s easy, and once you’ve assigned the plugin, it works on all instances you load up. You should plan some time for this (I’ve currently spent nearly 2 days updating my workflow).

Haptics:
Adjusting the dials is very nice; you have three options:

- a subtle indent at 12 o’clock / you can also add indents at preferred spots
- choose 2–24 steps (yet only up to 16 can be labeled; after that all labels vanish, unfortunately)
- continuously smooth

I also enjoy the key layout and menu navigation. It uses a typical WASD finger positioning, which seems intuitive for most people who have played video games.

DAW:
The macros from Ableton’s racks are loaded by default, which is a nice update—I’ve read some complaints about that in the past. You can also always override those with your own preset, but then you have to label everything in the rack manually, which is a minor pity.

Negatives:
More of a problem is bunching a lot of plugins into a single macro rack in Ableton. The Roto Control plugin selection menu now becomes super crowded and makes it hard to navigate your plugins. It would be nice to have a collapse/expand option here.

Also, in Plugin Mode, it would be nice if you could expand track groups by accessing the “Func” setting; this is currently only possible through “Mix” Mode.

If you’ve once made an assignment to a plugin, it will always appear to the Roto in your last setting. This also has a downside for me—for example, using an EQ in different ways (broad shaping, precise cuts, only mid or side channel cleanups). This becomes a workaround where you have to put the EQ into an Ableton Rack, by which you are consequently limited to 16 macros. This has become an issue in my case.

In General:
I highly recommend checking out this controller. It has improved my approach to music production, which is amazing—and worth the money, in my opinion.
Check out the M4L ShortcutBuddy in combination with this controller—it really speeds up my workflow.

More on the MIDI capabilities to follow.

The Melbourne Instruments Roto-Control offers an innovative take on MIDI control in live, DAWless setups. With its motorized encoders and dynamic mapping capabilities, it introduces a fluid workflow for performers looking to adjust parameters on the fly. In that context, it excels—fast to integrate, visually intuitive, and adaptable mid-performance. It distinguishes itself from devices like the Electra One MkII by prioritizing immediacy and improvisational control over deep configuration or studio-grade recall.

However, there are areas that need refinement. My first unit exhibited erratic behavior from the electronic potentiometers, falsely registering input and rendering the MIDI learn function unusable. This was ultimately resolved with a replacement, and to be fair, most other reports don't mention this issue. Hopefully it was just bad luck on my part, but it's worth noting in case others encounter similar behavior. In any case, customer support was excellent—quick, helpful, and professional throughout the process.

The lack of a community-driven preset or patch library is another clear shortcoming. For a device centered around flexibility and rapid mapping, the absence of shared configurations limits its out-of-the-box usefulness. This feels like low-hanging fruit for Melbourne Instruments to address in future updates.

Physically, the unit is functional but unremarkable. The controls are solid, and the layout suits compact rigs, but the plastic housing is a letdown. For gear intended to be central to live performance, metal construction would offer the durability needed for long-term use. As it stands, the Roto-Control feels more fragile than it should.

Despite these issues, the Roto-Control's core concept is strong. With an improved preset ecosystem and a sturdier chassis, it could evolve into a staple tool for performance-focused MIDI control.

(Please ignore the sound rating, I was forced to give one)

I really like the concept of this controller and think it has a lot of potential, but my experience hasn’t been great so far. My first unit had one knob with unusual resistance, which I later saw mentioned in another review as well. I exchanged it, but the second unit also arrived with one faulty knob. This one had an incorrect internal insert that caused friction and noise.

Another drawback is the lack of an on/off switch. There’s no easy way to power down the unit when it’s not in use; you have to unplug it every time, which isn’t ideal in a studio setup.

Considering the premium price, I expected better quality control and more attention to basic usability details. The idea behind the product is excellent, but the reliability issues make it hard to recommend at this price point. I hope future revisions improve consistency, because the concept is genuinely promising.