Melbourne Instruments Roto-Control

I use Ableton for over 8 years now, and I’ve had this controller for three weeks. The most important part is that it feels like hardware and stepping the knobs helps me to compare slight changes, without loosing reference and staring at the screen.

Assignment:
The assignment is simple, but can get a tiny bit straining after the 10th plugin you assign. Yet once you’ve assigned the plugin, it works on all instances you load up. You should plan some time for this (I’ve currently spent nearly 2 days updating my workflow).

Haptics:
you have three options:

- a subtle indent at 12 o’clock / you can also add indents at preferred spots


- choose 2–24 steps (yet only up to 16 can be labeled; after that all labels vanish, unfortunately)


- continuously smooth

The key layout and menu navigation is well desinged, It uses a typical WASD finger positioning, which seems intuitive for most people who have played video games.

Resolution:
The pots can make very fine adjustments in the 0.01 dB range (via the USB connection).


Negatives:
More of a problem is bunching a lot of plugins into a single macro rack in Ableton. The Roto Control plugin selection menu now becomes crowded and makes it hard to navigate your plugins. It would be nice to have a collapse/expand option here.

Also, in Plugin Mode, it would be nice if you could expand track groups by accessing the “Func” setting; this is currently only possible through “Mix” Mode.

If you’ve once made an assignment to a plugin, it will always appear to the Roto in your last setting. This also has a downside for me—for example, using an EQ in different ways (broad shaping, precise cuts, only mid or side channel cleanups). This becomes a workaround where you have to put the EQ into an Ableton Rack, by which you are consequently limited to 16 macros.

In General:
I highly recommend this controller. It has improved my approach to music production, which is amazing - and worth the money in my opinion.
Check out the M4L ShortcutBuddy in combination with this controller it really speeds up my workflow.

More on the MIDI capabilities to follow.

Diesen Controller nutze ich in meiner Band an den Drums um Logic Pro im Studio zu regeln. Sprich: Aufnahme, Volume Levels, Sends, Marker-Sprünge. Letzteres angelernt, das vorherige alles 'Out-Of-The-Box'. Es macht einfach richtig Spaß den Controller zu nutzen, da die Regler einfach traumhaft leise, genau, leichtgängig und zuverlässig laufen. Richtig schön wären einige weitere Parameteranzeigen, aber vielleicht kommt das ja noch in einer zukünftigen Software.

The Melbourne Instruments Roto-Control offers an innovative take on MIDI control in live, DAWless setups. With its motorized encoders and dynamic mapping capabilities, it introduces a fluid workflow for performers looking to adjust parameters on the fly. In that context, it excels—fast to integrate, visually intuitive, and adaptable mid-performance. It distinguishes itself from devices like the Electra One MkII by prioritizing immediacy and improvisational control over deep configuration or studio-grade recall.

However, there are areas that need refinement. My first unit exhibited erratic behavior from the electronic potentiometers, falsely registering input and rendering the MIDI learn function unusable. This was ultimately resolved with a replacement, and to be fair, most other reports don't mention this issue. Hopefully it was just bad luck on my part, but it's worth noting in case others encounter similar behavior. In any case, customer support was excellent—quick, helpful, and professional throughout the process.

The lack of a community-driven preset or patch library is another clear shortcoming. For a device centered around flexibility and rapid mapping, the absence of shared configurations limits its out-of-the-box usefulness. This feels like low-hanging fruit for Melbourne Instruments to address in future updates.

Physically, the unit is functional but unremarkable. The controls are solid, and the layout suits compact rigs, but the plastic housing is a letdown. For gear intended to be central to live performance, metal construction would offer the durability needed for long-term use. As it stands, the Roto-Control feels more fragile than it should.

Despite these issues, the Roto-Control's core concept is strong. With an improved preset ecosystem and a sturdier chassis, it could evolve into a staple tool for performance-focused MIDI control.

(Please ignore the sound rating, I was forced to give one)