I recently purchased the Yamaha SA2200 VS. After reading many reviews, the general consensus was that this model stands out strongly at its price point.
I will openly admit that I like Yamaha as a manufacturer. Much like with KEF speakers, I associate Yamaha with a disciplined, engineering-led approach. To ensure I wasn’t simply confirming my own bias, I made a point of comparing the SA2200 directly with two well-known alternatives:
Gretsch Pro Tennessean Bigsby HVN
Gibson ES-335 Satin Vintage Burst
Comparison & playability
I won’t focus heavily on tone, as that is largely subjective. To my ears, the ES-335 and the Yamaha occupied a similar tonal space, while the Gretsch was clearly voiced very differently.
All three guitars have a 43 mm nut width, yet I found the Yamaha noticeably easier to play. As a relatively inexperienced player, I felt more fluid on the SA2200, and the neck and fretwork felt particularly smooth and forgiving.
The Gretsch stood out immediately in terms of visual impact, and its control layout adds to its distinctive character. Both the Gretsch and the Gibson offer three pickup combinations, while the Yamaha — thanks to its coil-splitting — provides eight usable pickup combinations. Exploring these differences fully in a short comparison session is challenging, but the Yamaha clearly offers greater flexibility.
Overall impression
While all three instruments are unquestionably high-quality, my impression was that the Yamaha felt the most complete and professionally resolved. I repeatedly returned to the other two guitars and appreciated their strengths — especially their strong brand identities — but the SA2200 consistently felt the most comfortable and confidence-inspiring to play.
At home
After spending more time with the SA2200 at home, I was able to explore it properly using a Boss GT-1000 Core, primarily through headphones. The guitar excels in clean tones and offers a wide range of usable sounds. Simple clean playing is very rewarding, and it takes little effort to dial in convincing classic rock tones when needed.
Conclusion
The Yamaha SA2200 is not an inexpensive guitar, but neither are the comparable Gretsch or Gibson models. What the Yamaha offers is a highly versatile, professional instrument that feels carefully engineered rather than embellished. When I put it down and look at it, it quietly exudes class rather than demanding attention.
Other brands certainly offer excellent alternatives, but often at significantly higher price points. In that context, the strong reputation of the SA2200 is well deserved. Trying the alternatives only reinforced my decision.